Catalogus
| Uitgever | Bavaria, Duchy of |
|---|---|
| Jaar | 995-1017 |
| Type | Standard circulation coin |
| Waarde | 1 Denier |
| Valuta | Pfennig (907-1504) |
| Samenstelling | Silver |
| Gewicht | 1.00 g |
| Diameter | |
| Dikte | |
| Vorm | Round (irregular) |
| Techniek | Hammered |
| Oriëntatie | Variable alignment ↺ |
| Graveur(s) | |
| In omloop tot | |
| Referentie(s) | Hahn Radas#27c2 |
| Beschrijving voorzijde | Cross with in corners three dots, a wedge, a wedge and a ring. |
|---|---|
| Schrift voorzijde | Latin |
| Opschrift voorzijde | |
| Beschrijving keerzijde | Church with inscription within. |
| Schrift keerzijde | Latin |
| Opschrift keerzijde | ECC |
| Rand | |
| Muntplaats | |
| Oplage |
ND (995-1017) - - |
| Numisquare-ID | 2256157720 |
| Aanvullende informatie |
Historical Context: This Denier was issued during the reign of Henry II (Holy Roman Emperor, 1002-1024), who, as Duke of Bavaria, was styled Henry IV (995-1004). Minted in Regensburg, a crucial imperial and ecclesiastical center, this coin reflects Ottonian authority consolidation. The period 995-1017 marks a transition from late Ottonian to early Salian influence, with Henry II asserting control over domains, making Regensburg a strategic hub for his administration and coinage.
Artistry: The design, typical of early medieval coinage, was executed by an anonymous master within the Ottonian stylistic tradition. These designs prioritize symbolic representation over naturalism. Common motifs for Regensburg deniers of this era include a stylized bust of the ruler, often crowned, or a prominent cross design, frequently encircled by a legend. The engraving style is characterized by linear quality and abstract forms, reflecting nascent Romanesque art, focusing on legend legibility over intricate figural detail.
Technical/Grading: Struck in silver, weighing approximately 1.00 gg, this Denier exhibits characteristics common to early medieval minting. High-points susceptible to wear typically include the apex of a crown, the nose on a bust, or the central intersection of a cross. Strikes are often variable, displaying off-centering, planchet irregularities, or areas of weakness, especially towards the edges. A well-centered strike with clear legends and minimal double striking is exceptional for this issue (Hahn Radas#27c2).